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Author Topic: OBITUARY  (Read 1461 times)
ZonedWithinRage
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« on: June 01, 2007, 04:52:40 am »

Possessed and Death may have brought death metal to life, but Obituary brought it to fruition. After releasing some demos as Xecutioner as far back as 1986, the five-man band debuted as Obituary on Roadrunner Records in 1989 with Slowly We Rot, and in a word, the album was landmark. The previous forays into what would quickly become tagged as death metal HuhHuh?? primarily by the above-mentioned bands, Possessed and Death, along with grindcore innovators Repulsion and Napalm Death HuhHuh?? were exercises in relentlessness. These bands took the breakneck abandon of Slayer's Reign in Blood one step further, to the point of sheer, sometimes even ridiculous musical abandon. Obituary, on the other hand, varied their tempo considerably HuhHuh?? and did so at the absolute height of speed metal nonetheless. Yes, the band could play at breakneck speed, but within the same song, guitarists Allen West and Trevor Peres could slow the tempo down to dirge-like levels in a moment's notice, all the while keeping the music as heavy as hell thanks to down-tuned guitars and the snarling vocals of John Tardy. As a result, Slowly We Rot made quite a splash back in 1989, influencing an entire legion of death metal bands in Florida: Morbid Angel, Deicide, Malevolent Creation, Cannibal Corpse, and numerous others now forgotten among the thousands of international bands that followed. In a way, Slowly We Rot was the prototypical death metal album, establishing a template that would come to define the style (one that is distinct from grindcore or black metal, it should be pointed out). A few albums followed HuhHuh?? Cause of Death (1990) and The End Complete (1992) both also very influential HuhHuh?? but by the mid-'90s Obituary had run its course and the band splintered, reuniting now and then. Yet even as the bandmembers went their seperate ways (most notably West going on to much success as the guitarist of Six Feet Under), Obituary continued to stand tall as one of the definitive death metal bands, if not the definitive (a distinction that probably goes to Death, whose James Murphy actually was a bandmember for a while).
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